Raymond Z. Gallun opens Comet's Burial with a paradox: a man may be a scoundrel and still work toward a great dream. The story then drops readers onto the Moon at Tycho Station, where nineteen-year-old Arne Copeland views footprints left by Martian explorers fifty million years ago. The setting is established through concrete details—plastic covers preserving prints, the necessity of roasting water from gypsum, and the psychological strain of lunar isolation. Copeland's wary assessment of Jess Brinker, a swaggering older man, sets up a dynamic of trust and suspicion that drives the narrative.

Lunar Survival and Suspicion

The opening pages immerse the reader in the Moon's harsh environment. Gallun describes how prospectors become secretive, leaving as little spoor as possible. Copeland, though a greenhorn, knows the Moon from books: “A hell of silence, some of it beautiful.” Brinker dismisses caution as miserly, but his own motives remain unclear. The dialogue reveals tension—Copeland's sullenness and Brinker's bravado. The excerpt shows Copeland reserving judgment, aware that Brinker could be a confidence man. This careful characterization, grounded in the physical realities of lunar life, establishes the story's central conflict: whether to trust a man whose methods are suspect.

The Comet as a Weapon

Later excerpts shift to a desperate plan: redirecting Brulow's Comet to strike the Moon. Copeland and Brinker, now fugitives, work together despite lingering hostility. Gallun emphasizes the technical challenge—coordinating velocity, position, and course with crude jets on a rotating nucleus. Copeland handles the math, while Brinker provides experience. The narrative notes they have “ample time” for repeated adjustments, a rare advantage. The comet itself is described in sensory terms: its tail lengthens under solar pressure, its colors shifting. This section transforms the setting from a survival story into an astrogation problem, with the stakes escalating as Space Patrol ships arrive.

Outlawry and Persistence

Copeland's internal conflict deepens as he embraces outlawry. He fires a Martian rocket-launcher, aiming behind a ship, and hears a voice from his past. His decision is clinched by fury at a character named Krell. Gallun portrays Copeland's motivation as a mix of rage and a need to see the job through: “It couldn't be just a futile blank.” The partnership with Brinker remains tense—Copeland speaks “without friendship or forgiveness, yet with cooperation.” The narrative highlights their dwindling supplies and physical weakness, but also a grim determination. This section shows how the characters' shared goal overrides personal animosity, even as they face execution or death.

Escape and Final Gambit

In the climax, Copeland and Brinker abandon the comet's core, riding a jet-tube to a hidden meteor. They watch Patrol craft invade the nucleus, struggling to deflect it. Gallun uses precise imagery: explosions shatter iron and stone, cooling to fine dust. The duo's escape is a tactical maneuver, exploiting the chaos. The narrative leaves their fate uncertain, focusing on the act of defiance. The comet's impact is imminent, but the story ends before the crash. This open ending emphasizes the characters' commitment to their plan, regardless of personal survival. The final paragraphs reinforce the theme of persistence against overwhelming odds.

Gallun's story rewards attention to its technical details and moral ambiguity. The Moon is not a backdrop but a character—its silence, frugality, and danger shape every decision. Readers should note how the author uses physical constraints (water, oxygen, gravity) to drive plot and character. The partnership between Copeland and Brinker is never comfortable, and the story does not resolve whether their dream justifies the cost. This ambiguity, grounded in specific lunar science, makes Comet's Burial a distinctive work of 1930s science fiction.