About 31 minutes
The Sword — Inside the Classic
Other Worlds
6,940 recorded words. 0 minutes difference from this book's estimate.
View Gutenberg source #32697The source record for Today is Forever — Context and Discussion measures this digital text at 6,999 words, 31 min estimated reading time, and 1 detected text section.
The text analysis averages about 18.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
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About 31 minutes
Other Worlds
6,940 recorded words. 0 minutes difference from this book's estimate.
View Gutenberg source #32697About 30 minutes
Other Worlds
6,779 recorded words. 1 minutes difference from this book's estimate.
View Gutenberg source #50872About 29 minutes
Other Worlds
6,568 recorded words. 2 minutes difference from this book's estimate.
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Read on Project GutenbergRoger Dee's Today is Forever opens with a tense conversation in Moira's apartment, where David Locke warns Boyle that the Alcorian visitors are driving a wedge between the ruling body AL&O and the Social Body. The story immediately establishes a world of complex social structures—Boyle is annoyed that Locke, a younger man, has been granted visitor's privilege during Boyle's week to share the connubial right with Moira, one of seven husbands in a marital-seven. This detail, along with references to truth-checks and Ordermen, paints a society that has tried to regulate both personal relationships and crime, yet remains vulnerable to manipulation.
The story's future society is defined by its elaborate social arrangements and technological oversight. Boyle's irritation at Locke's presence during his week with Moira reveals a system where marital-sevens and scheduled connubial rights are the norm. The narrative also mentions truth-checks and Ordermen, suggesting a state that monitors behavior and enforces conformity. Yet this control is brittle: Boyle easily bypasses these safeguards, using a freeze-gun and an incendiary to eliminate witnesses. The tension between the regulated surface and the underlying chaos is a key pattern in the excerpts.
The Alcorians, Fermiirig and Santikh, are described as carbon-structure oxygen-breathers with a metabolism similar to humans. Their offer of a repeatable process granting seven hundred years of life—effectively immortality—triggers immediate avarice. Boyle's reaction is telling: he forgets Locke, forgets his earlier annoyance, and begins plotting. The aliens themselves are passive; Fermiirig warns Boyle that he is not fitted for extended life, but administers the injection anyway. They serve as mirrors for human ambition, their presence exposing the flaws in the Weal's democratic ideals.
Boyle is a study in calculated self-interest. He kills Cornelison, Bissell, and Dorand without hesitation, kidnaps Fermiirig, and plans to murder Locke and Moira by throwing them into rapids. His actions are methodical: he checks his lapel watch, times Locke's descent, and uses a freeze-gun with sadistic pleasure. Yet the story hints at consequences. Fermiirig's mate Santikh remains, and the Ordermen are in pursuit. The excerpts end with Boyle receiving the injection, but the reader is left to wonder whether his immortality will be a triumph or a trap.
Readers should pay close attention to the story's opening social details—the marital-seven, the truth-checks, the AL&O hierarchy—as they establish the rules that Boyle breaks. The Alcorians' offer of immortality is less a scientific marvel than a test of character. The excerpts provide a complete arc of Boyle's coup, but the ending is cut off; the final outcome of his actions remains uncertain. This makes the story a tight, character-driven exploration of ambition and its limits.
Reading about Boyle’s desperate grab for immortality, I remembered sitting on my grandmother’s porch, watching her snap green beans, and realizing she had no interest in living forever—only in finishing the day well. With a Vengeance — Story, Setting & Ideas once left me with that same quiet ache: how we chase power, thinking it’s the answer, while the real thing slips through our fingers.
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