The story begins not with humans but with Rhadampsicus and Nodalictha, a pair of alien beings on their honeymoon. Their courtship involves twining eye stalks and mingling positronic repulsion blasts—details that immediately establish a non-human perspective on sentiment. Leinster uses this opening to defamiliarize the concept of love, presenting it through a biology so alien that humans would “scream and run” if they saw it. Yet the narrator insists these creatures are “very sentimental,” and their actions—building a bower, carving initials in chlorine crystals—mirror human romantic gestures. This juxtaposition sets up the story’s central tension: whether sentiment can bridge vast differences in form and experience.

Alien Honeymoon as a Lens

The opening section devotes considerable space to the aliens’ domesticity. Rhadampsicus, eager to make the honeymoon memorable, points out the peculiar sun Cetis Gamma to his bride. She responds with “rapt admiration,” and they decide to stop and watch. The language is almost parodic of human romance: he prepares a “snug if primitive cottage” with running liquid hydrogen, and she is “fascinated by its completeness.” The narrator’s tone is wry, noting that no human would recognize their embrace. Yet the scene is not merely comic; it establishes that these beings are capable of tenderness, planning, and aesthetic appreciation. Their sentimentality is not a flaw but a driving force—they pause to observe a cosmic event out of shared curiosity and affection.

Human Desperation Under a Flaring Sun

The middle excerpt shifts to human characters Lon and Cathy as the sun’s expansion threatens their colony. The tone changes abruptly: the air is acrid, the sun “three times normal size,” and the landscape begins to burn. Lon and Cathy face death with a quiet, unadorned honesty. Cathy says, “It’s nice we met each other, anyhow,” and Lon admits he would “gladly submit himself to be burned” to save her. Their dialogue is stripped of heroics; they do not lie to each other. This section grounds the cosmic event in personal stakes. The contrast with the aliens’ detached observation is sharp: where Rhadampsicus and Nodalictha watch the flare-up as a spectacle, Lon and Cathy experience it as an ending. The same phenomenon is filtered through radically different sensibilities.

A Sudden, Unexplained Knowledge

Just as the scene seems to reach its emotional peak, Lon experiences a strange certainty: the sun is not going nova but undergoing a temporary flare-up. He knows this “suddenly,” with complete precision, yet cannot explain how. The narrator states, “He didn’t know how he knew.” This moment introduces a speculative element that the earlier excerpts do not prepare for. It suggests that the aliens’ presence or some other factor is intervening—though the text does not yet confirm this. The reader is left with a puzzle: is this knowledge a product of stress, a narrative convenience, or a clue to the aliens’ role? The story’s structure here pivots from character-driven drama to a mystery about the nature of the crisis and the source of Lon’s insight.

Structure and the Reader’s Expectations

The excerpts reveal a deliberate structural gambit: the story opens with aliens, then moves to humans, and the two threads have not yet intersected. The reader must hold both perspectives in mind. The aliens’ sentimentality is presented first, so when humans display their own version—fear, love, sacrifice—the comparison is implicit. Leinster does not explain which species is “right” or more evolved. The title itself, The Sentimentalists, applies to both. The excerpts also show a shift in narrative voice: the opening is playful and descriptive, while the human section is terse and emotional. This tonal range suggests the story may use the alien frame to comment on human behavior, or vice versa. The incomplete text leaves open how the two plotlines will connect.

Readers should pay attention to how the story balances its two species. The aliens are not merely a framing device; their actions and motivations are given weight. The human crisis is immediate and visceral, but the opening’s wry tone may return. The key question is whether the aliens’ sentimentality will lead them to intervene—and what form that intervention might take. The story rewards attention to small details, like the initials carved in chlorine crystals, which may echo later in the narrative.